Lynda - Premiere Pro Guru Transcoding Workflows

1. 22. Sequence settings-464396.mp415.86MB
2. 23. Subclip transcoding-464397.mp417.61MB
3. 21. Examining your sequence at full quality-464395.mp419.53MB
4. 20. Benefits and possibilities of transcoding while you edit-464394.mp420.57MB
5. 18. Working with uncompressed sources-464391.mp421.8MB
6. 19. Applying first-pass color correction with a LUT-464392.mp428.51MB
7. 24. Exchanging managed sequence or media with other video professionals-464398.mp427.51MB
8. 25. Render and replace-464399.mp416.49MB
9. 30. Learn more-464406.mp45.46MB
10. 29. Archiving projects-464404.mp418.52MB
11. 28. Implementing watched folders for output-464403.mp422.43MB
12. 26. Benefits and possibilities of transcoding at the end of your edit-464401.mp419.84MB
13. 27. Adjusting pixels and frame sizes-464402.mp418.72MB
14. 17. Working with highly compressed sources-464390.mp421.93MB
15. 16. Creating a preset for transcoding-464389.mp420.06MB
16. 06. Log-464378.mp412.45MB
17. 07. Raw-464379.mp412.4MB
18. 05. Codecs and formats for shooting-464377.mp416.44MB
19. 04. Native vs. transcoded editing in Premiere Pro-464376.mp412.44MB
20. 02. How to get the most from this course-464373.mp49.61MB
21. 03. Using the exercise files-464374.mp44.12MB
22. 08. Codecs and formats for editing-464380.mp411.79MB
23. 09. Limitations of native workflows-464381.mp413.89MB
24. 14. Understanding Adobe Media Encoder in the transcoding process-464387.mp425.34MB
25. 15. Essential transcoding settings-464388.mp420.99MB
26. 13. Using Prelude to transcode footage before you edit-464386.mp415.21MB
27. 12. Doing a basic transcoded workflow-464384.mp417.34MB
28. 10. Pros and cons of transcoded workflows-464382.mp415.52MB
29. 11. Factors that go into choosing a workflow-464383.mp48.09MB
30. 01. Welcome-464372.mp415.16MB