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Cubase 401 Mastering in Cubase

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视频 2019-7-19 07:40 2024-6-27 21:56 82 733.36 MB 90
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文件列表
  1. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/05. Remastering Comparison.mp420.47MB
  2. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/07. Bit Depth - 16 Bit vs 24 Bit vs 32 Bit.mp418.87MB
  3. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/04. Peak Volume vs. Average (RMS) Volume.mp415.18MB
  4. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/09. Sample Frequency (in KHz) - 44.1 vs. 48 vs. 88.2 vs ....mp412.64MB
  5. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/06. The Loudness War - Daring to be Neutral.mp47.46MB
  6. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/03. Analog Mastering vs. Digital Mastering.mp45.43MB
  7. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/10. Mastering for Different Musical Genres.mp44.35MB
  8. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/01. Goals of Mastering in Cubase.mp44.21MB
  9. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/08. Don't Throw Away Your Bits (Maximizing Dynamic Range).mp43.79MB
  10. Chapter 1 - Understanding the Art and Science of Mastering/1. The Concept of Mastering/02. What is Audio Mastering.mp43.66MB
  11. Chapter 1 - Understanding the Art and Science of Mastering/2. The Tools of Mastering/12. The Top Speed of Digital Audio is 0 (Zero).mp44.41MB
  12. Chapter 1 - Understanding the Art and Science of Mastering/2. The Tools of Mastering/13. Normalizing and Why You Shouldn't Use It.mp44.24MB
  13. Chapter 1 - Understanding the Art and Science of Mastering/2. The Tools of Mastering/11. My clients say, Make it punchy, shiny, and LOUD!.mp42.5MB
  14. Chapter 1 - Understanding the Art and Science of Mastering/2. The Tools of Mastering/14. The Concept of Dithering.mp42.11MB
  15. Chapter 1 - Understanding the Art and Science of Mastering/3. The Cubase Mastering Plug-ins/20. Following Proper Mastering Plug-in Order.mp46.98MB
  16. Chapter 1 - Understanding the Art and Science of Mastering/3. The Cubase Mastering Plug-ins/17. Plug-ins for Tone (EQ).mp45.71MB
  17. Chapter 1 - Understanding the Art and Science of Mastering/3. The Cubase Mastering Plug-ins/16. Plug-ins for Compression.mp43.21MB
  18. Chapter 1 - Understanding the Art and Science of Mastering/3. The Cubase Mastering Plug-ins/22. What the Click - Mac OS vs. Windows Mouse Commands.mp42.79MB
  19. Chapter 1 - Understanding the Art and Science of Mastering/3. The Cubase Mastering Plug-ins/21. Using the Cubase Plug-ins Reference Manual.mp42.78MB
  20. Chapter 1 - Understanding the Art and Science of Mastering/3. The Cubase Mastering Plug-ins/15. Mastering Limitations of Cubase Studio 5 and Lower.mp42.7MB
  21. Chapter 1 - Understanding the Art and Science of Mastering/3. The Cubase Mastering Plug-ins/18. Plug-ins for Limiting.mp42.45MB
  22. Chapter 1 - Understanding the Art and Science of Mastering/3. The Cubase Mastering Plug-ins/19. Plug-ins for Dithering.mp42.27MB
  23. Chapter 1 - Understanding the Art and Science of Mastering/4. Making a Master-ready Mix in Cubase/25. Checking the Gain Stage of the Master Fader.mp420.28MB
  24. Chapter 1 - Understanding the Art and Science of Mastering/4. Making a Master-ready Mix in Cubase/27. Increasing Your Audio Interface Buffer During Mastering.mp413.87MB
  25. Chapter 1 - Understanding the Art and Science of Mastering/4. Making a Master-ready Mix in Cubase/24. Monitoring the Mastering Plug-ins.mp413.15MB
  26. Chapter 1 - Understanding the Art and Science of Mastering/4. Making a Master-ready Mix in Cubase/28. Can I Use Mastering Plug-ins on Individual Tracks.mp47.98MB
  27. Chapter 1 - Understanding the Art and Science of Mastering/4. Making a Master-ready Mix in Cubase/23. Inserting the Mastering Plug-ins.mp47.86MB
  28. Chapter 1 - Understanding the Art and Science of Mastering/4. Making a Master-ready Mix in Cubase/29. Using Your Ears, Monitors, Headphones and Car Stere....mp46.11MB
  29. Chapter 1 - Understanding the Art and Science of Mastering/4. Making a Master-ready Mix in Cubase/26. Mastering after the Mix vs. During the Mix.mp44.41MB
  30. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/30. Creating a Cubase Project for the Next Chapters.mp415.14MB
  31. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/37. Attack, Hold, Release, and Auto.mp49.19MB
  32. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/33. Threshold.mp49.14MB
  33. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/34. Ratio.mp48.07MB
  34. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/32. Compressor are like Rubber Bands.mp47.82MB
  35. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/35. Make Up Gain (Output) and Auto.mp46.37MB
  36. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/39. Trying Different Compressor Presets.mp44.39MB
  37. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/36. Soft Knee vs Hard Knee.mp43.11MB
  38. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/38. Analysis (Peak and-or RMS).mp42.91MB
  39. Chapter 2 - Understanding Compressors/5. The Controls of a Compressor/31. Adding a Basic Compressor.mp42.34MB
  40. Chapter 2 - Understanding Compressors/6. The Cubase Multiband Compressor - Your Deadliest Mast/43. Adjusting the 4 Frequency Bands.mp423.85MB
  41. Chapter 2 - Understanding Compressors/6. The Cubase Multiband Compressor - Your Deadliest Mast/40. Full-Range Compressors vs. Multiband Compressors.mp49.36MB
  42. Chapter 2 - Understanding Compressors/6. The Cubase Multiband Compressor - Your Deadliest Mast/42. Using the MUTE and SOLO Controls.mp49.11MB
  43. Chapter 2 - Understanding Compressors/6. The Cubase Multiband Compressor - Your Deadliest Mast/41. Multiband Compressor Controls.mp49.11MB
  44. Chapter 2 - Understanding Compressors/6. The Cubase Multiband Compressor - Your Deadliest Mast/45. Trying Different Multiband Compressor Presets.mp47.3MB
  45. Chapter 2 - Understanding Compressors/6. The Cubase Multiband Compressor - Your Deadliest Mast/44. Adjusting the Output Gain.mp47.21MB
  46. Chapter 2 - Understanding Compressors/6. The Cubase Multiband Compressor - Your Deadliest Mast/46. Is the Multiband Compressor a Tone (EQ) Plug-in.mp41.57MB
  47. Chapter 3 - Understanding Tone (EQ) Controls/7. What is Tone/49. Parametric EQ vs. Graphic EQ.mp411.32MB
  48. Chapter 3 - Understanding Tone (EQ) Controls/7. What is Tone/48. Tone Controls Found on Consumer Electronics.mp42.93MB
  49. Chapter 3 - Understanding Tone (EQ) Controls/7. What is Tone/47. Tone, EQ, and Equalization are Synonyms.mp41.82MB
  50. Chapter 3 - Understanding Tone (EQ) Controls/8. The Cubase Channel EQ/52. Q-Factor.mp412.76MB
  51. Chapter 3 - Understanding Tone (EQ) Controls/8. The Cubase Channel EQ/51. Frequency and Gain.mp46.72MB
  52. Chapter 3 - Understanding Tone (EQ) Controls/8. The Cubase Channel EQ/55. Trying Different EQ Presets.mp44.84MB
  53. Chapter 3 - Understanding Tone (EQ) Controls/8. The Cubase Channel EQ/54. Bypassing Individual Bands and Bypassing the Entire EQ.mp44.23MB
  54. Chapter 3 - Understanding Tone (EQ) Controls/8. The Cubase Channel EQ/53. Moving the Controls.mp43.69MB
  55. Chapter 3 - Understanding Tone (EQ) Controls/8. The Cubase Channel EQ/56. Is the StudioEQ Plug-in Identical to the Channel EQ.mp43.34MB
  56. Chapter 3 - Understanding Tone (EQ) Controls/8. The Cubase Channel EQ/50. The Concepts of the Cubase Channel Parametrics.mp41.79MB
  57. Chapter 3 - Understanding Tone (EQ) Controls/9. The GEQ10 and GEQ30 Graphic Equalizers/61. Trying Different Graphic EQ Presets.mp410.82MB
  58. Chapter 3 - Understanding Tone (EQ) Controls/9. The GEQ10 and GEQ30 Graphic Equalizers/60. The Filter Mode Settings.mp410.8MB
  59. Chapter 3 - Understanding Tone (EQ) Controls/9. The GEQ10 and GEQ30 Graphic Equalizers/59. Outputs, Flatten, Range and Invert.mp410.77MB
  60. Chapter 3 - Understanding Tone (EQ) Controls/9. The GEQ10 and GEQ30 Graphic Equalizers/58. Sliders for Different Frequency Bands.mp45.69MB
  61. Chapter 3 - Understanding Tone (EQ) Controls/9. The GEQ10 and GEQ30 Graphic Equalizers/57. The Concepts of the Cubase Graphic Equalizer Plug-ins.mp42.26MB
  62. Chapter 4 - Understanding Limiters/10. What is a Limiter/62. A Limiter is like a C-Clamp.mp42.72MB
  63. Chapter 4 - Understanding Limiters/11. Using the Cubase Maximizer/63. The Maximizer Plug-in is a Mastering Limiter.mp46.38MB
  64. Chapter 4 - Understanding Limiters/11. Using the Cubase Maximizer/66. Soft Clip On or Off.mp44.38MB
  65. Chapter 4 - Understanding Limiters/11. Using the Cubase Maximizer/65. Using the Optimize Control.mp42.98MB
  66. Chapter 4 - Understanding Limiters/11. Using the Cubase Maximizer/64. Setting the Output Level Control.mp42.79MB
  67. Chapter 5 - Dithering/12. Using the Appogee UV 22 HR Dithering Plug-in/67. Where to use the UV 22 HR.mp49.68MB
  68. Chapter 5 - Dithering/12. Using the Appogee UV 22 HR Dithering Plug-in/69. Setting a Dither Level.mp41.72MB
  69. Chapter 5 - Dithering/12. Using the Appogee UV 22 HR Dithering Plug-in/68. Choosing an Output Bit Resolution.mp41.48MB
  70. Chapter 6 - Mastering Your Project/13. Using the Multiscope Plug-in/70. The Multiscope in Frequency Spectrum Mode.mp417.34MB
  71. Chapter 6 - Mastering Your Project/13. Using the Multiscope Plug-in/71. Using the Multiscope in Phase Correlator Mode.mp41.76MB
  72. Chapter 6 - Mastering Your Project/14. Using all your Mastering Plug-ins on a Real Project/78. Statistical Analysis of the Mixdown.mp429.57MB
  73. Chapter 6 - Mastering Your Project/14. Using all your Mastering Plug-ins on a Real Project/74. Using the GEQ-30.mp425.48MB
  74. Chapter 6 - Mastering Your Project/14. Using all your Mastering Plug-ins on a Real Project/76. Adding a Consumer Smiley Face EQ.mp419.92MB
  75. Chapter 6 - Mastering Your Project/14. Using all your Mastering Plug-ins on a Real Project/72. Setting up a Cubase Project for Mastering.mp416.64MB
  76. Chapter 6 - Mastering Your Project/14. Using all your Mastering Plug-ins on a Real Project/75. Using the Maximizer.mp414.08MB
  77. Chapter 6 - Mastering Your Project/14. Using all your Mastering Plug-ins on a Real Project/77. Export - Audio Mixdown.mp414.05MB
  78. Chapter 6 - Mastering Your Project/14. Using all your Mastering Plug-ins on a Real Project/73. Using the Multiband Compressor.mp47.96MB
  79. Chapter 6 - Mastering Your Project/15. Matt's Mixdown Philosophy/80. Exporting to High-Resolution without Mastering.mp45.85MB
  80. Chapter 6 - Mastering Your Project/15. Matt's Mixdown Philosophy/83. Exporting to MP3 Resolution with Mastering.mp45.71MB
  81. Chapter 6 - Mastering Your Project/15. Matt's Mixdown Philosophy/79. Why 4 Mixdowns.mp44.19MB
  82. Chapter 6 - Mastering Your Project/15. Matt's Mixdown Philosophy/81. Exporting to High-Resolution with Mastering.mp43.43MB
  83. Chapter 6 - Mastering Your Project/15. Matt's Mixdown Philosophy/82. Exporting to CD Resolution with Mastering.mp43.37MB
  84. Chapter 7 - Multi-Project Mastering/16. The Importance of Multi-Project Mastering/86. Comparing Tracks.mp428.99MB
  85. Chapter 7 - Multi-Project Mastering/16. The Importance of Multi-Project Mastering/84. Multi-Project Mastering Concepts.mp418.83MB
  86. Chapter 7 - Multi-Project Mastering/16. The Importance of Multi-Project Mastering/85. Where to Put the Plug-ins.mp414.41MB
  87. Chapter 7 - Multi-Project Mastering/16. The Importance of Multi-Project Mastering/89. Exporting Multi-Project Masters.mp49.98MB
  88. Chapter 7 - Multi-Project Mastering/16. The Importance of Multi-Project Mastering/87. Feeling the Transitions.mp49.2MB
  89. Chapter 7 - Multi-Project Mastering/16. The Importance of Multi-Project Mastering/88. Crossfading Mastered Files.mp46.84MB
  90. Chapter 7 - Multi-Project Mastering/17. Signing Off/90. Goodbye and Good Luck.mp42.02MB
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