Video Production and Post Tips of the Week

1. 001.Using a GoPro to record a timelapse.118s.mp417.18MB
2. 002.Recording as stills.252s.mp435.72MB
3. 003.Recording as video.151s.mp421.6MB
4. 004.Assembly.453s.mp451.54MB
5. 005.The new GoPro HERO5 Black.144s.mp420.66MB
6. 006.Video stabilization.202s.mp428.74MB
7. 007.Linear lens correction.261s.mp433.98MB
8. 008.Waterproof.258s.mp436.66MB
9. 009.Raw photo.204s.mp428.54MB
10. 010.Improved software.283s.mp439.94MB
11. 011.Why is there buzz in my audio.70s.mp410.1MB
12. 012.Removing buzz during production.356s.mp450.18MB
13. 013.Removing buzz during post.444s.mp443.07MB
14. 014.What is noise.154s.mp421.1MB
15. 015.Reducing noise and grain in After Effects.562s.mp453.64MB
16. 016.Using Neat Video noise reduction.598s.mp453.21MB
17. 017.What is Rec. 2020.462s.mp462.99MB
18. 018.Rec. 2020 in production and post.297s.mp442.13MB
19. 019.Rec. 2020 for consumer products.280s.mp438.73MB
20. 020.Recording the screen of a phone or tablet.97s.mp413.93MB
21. 021.Recording software for PC.379s.mp441.83MB
22. 022.Recording software for Mac.352s.mp447.95MB
23. 023.Recording hardware.228s.mp432.34MB
24. 024.How do I light a product shot.73s.mp410.87MB
25. 025.How to set up the background.154s.mp422.08MB
26. 026.Using turntables to add motion.181s.mp425.89MB
27. 027.Lighting components.347s.mp448.99MB
28. 028.How can gimbals help stabilize shots.84s.mp412.25MB
29. 029.Full-size gimbals.254s.mp435.95MB
30. 030.Portable gimbals.297s.mp440.4MB
31. 031.What is depth of field.250s.mp435.4MB
32. 032.Wider aperature.301s.mp441.93MB
33. 033.Using a telephoto lens.225s.mp431.94MB
34. 034.Intro.157s.mp421.74MB
35. 035.Single camera.578s.mp457.66MB
36. 036.Multicamera rig.357s.mp448.25MB
37. 037.Challenges of skin tones.238s.mp433.87MB
38. 038.Essential items.230s.mp432.7MB
39. 039.Advanced techniques.427s.mp459.63MB
40. 040.The role of headphones in production and post.221s.mp431.51MB
41. 041.Headphone designs.416s.mp458.74MB
42. 042.Advanced techniques.254s.mp436.13MB
43. 043.Why color correct live on set.146s.mp420.39MB
44. 044.Working with a laptop only.318s.mp436.51MB
45. 045.Using a breakout box.476s.mp456.56MB
46. 046.Using a LUT box.550s.mp457.98MB
47. 047.What is a GPU.216s.mp430.75MB
48. 048.Desktop and mobile GPUs.455s.mp464.1MB
49. 049.Specifications to look out for.502s.mp470.49MB
50. 050.Benefits of using a drone.333s.mp446.64MB
51. 051.Challenges of shooting people.301s.mp442.18MB
52. 052.Safety advice.337s.mp447.21MB
53. 053.What is DCI P3.271s.mp435.23MB
54. 054.DCI P3 in production and post.295s.mp440.15MB
55. 055.DCI P3 for consumer products.328s.mp443.84MB
56. 056.What is LTO.342s.mp446.55MB
57. 057.Connection and generation options.441s.mp457.22MB
58. 058.Creating and using an LTO archive.421s.mp449.57MB
59. 059.Using LTO cataloging software.326s.mp434.75MB
60. 060.The challenge of proper exposure.192s.mp427.29MB
61. 061.Using ISO or gain.274s.mp438.84MB
62. 062.Using aperture.315s.mp443.38MB
63. 063.Using shutter speed.488s.mp467.06MB
64. 064.What is 3–2–1 backup.117s.mp415.38MB
65. 065.3 copies.252s.mp434.3MB
66. 066.2 formats.186s.mp425.16MB
67. 067.1 offsite.394s.mp454.95MB
68. 068.Shooting video with the iPhone 7.202s.mp428.62MB
69. 069.Using the dual lens system on the iPhone 7 to shoot video.232s.mp431.96MB
70. 070.Expanded functionality with the Mavis app.297s.mp440.74MB
71. 071.Why you need a clean sensor.105s.mp414.27MB
72. 072.Cleaning the sensor with the menu or a blower.250s.mp433.91MB
73. 073.Dry sensor cleaning.465s.mp465.18MB
74. 074.Wet sensor cleaning.319s.mp444.44MB
75. 075.Why batteries.112s.mp416.06MB
76. 076.Lights with internal batteries.248s.mp435.27MB
77. 077.Lights with external batteries.334s.mp447.11MB
78. 078.Using a generator.178s.mp425.4MB
79. 079.Why change the color of lights.186s.mp424.45MB
80. 080.Affordable methods.279s.mp439.48MB
81. 081.Changing the temperature of fluorescent fixtures.383s.mp454.03MB
82. 082.Bicolor and RGB lights.283s.mp440.11MB
83. 083.Aesthetics for high-angle shooting.110s.mp416.1MB
84. 084.Operating advice for getting high angles.287s.mp440.69MB
85. 085.Safety advice.325s.mp445.77MB
86. 086.Reasons to record live video on set.90s.mp413.21MB
87. 087.Capturing with Blackmagic's Media Express.415s.mp442.35MB
88. 088.Capturing with an NLE.285s.mp424.05MB
89. 089.Doing a test key with a captured file.265s.mp422.61MB
90. 090.The challenges of recording audio.104s.mp415.17MB
91. 091.Using an attached mic.301s.mp441.46MB
92. 092.Obstacles when using a lavalier microphone.204s.mp429.21MB
93. 093.What is YouTube Live Streaming.126s.mp415.92MB
94. 094.Setting up an account.258s.mp432.29MB
95. 095.Enabling and running a broadcast on YouTube Live Streaming.392s.mp445.05MB
96. 096.Variable ND filters.113s.mp416.47MB
97. 097.When to use a variable ND.266s.mp436.58MB
98. 098.The mechanics of using a variable ND.258s.mp436.54MB
99. 099.Why monitor wirelessly.166s.mp423.71MB
100. 100.Wi-Fi monitoring.232s.mp432.93MB
101. 101.RF monitoring.304s.mp442.37MB
102. 102.How to capture audio from a distance.109s.mp416MB
103. 103.Shotgun microphone.297s.mp441.55MB
104. 104.Boom microphone.297s.mp442.05MB
105. 105.Wireless microphone.298s.mp441.96MB
106. 106.The impact of frame rate.263s.mp434.28MB
107. 107.Shooting with standard frame rates.231s.mp430.3MB
108. 108.Shooting with high frame rates.350s.mp448.8MB
109. 109.Manually focusing.140s.mp420.22MB
110. 110.Why manual focus.201s.mp428.77MB
111. 111.Manual focusing technique.315s.mp444.57MB
112. 112.Aesthetics for low-angle shooting.198s.mp428.4MB
113. 113.Operating advice for getting low angles.260s.mp436.76MB
114. 114.Safety advice.263s.mp437.44MB
115. 115.What is Google Hangouts.102s.mp413.57MB
116. 116.How to start a Google Hangout.400s.mp455.22MB
117. 117.How to start a Google Hangout On Air.349s.mp434.57MB
118. 118.Advanced options for Google Hangouts On Air.419s.mp451.78MB
119. 119.Control room for Google Hangouts On Air.242s.mp425.88MB
120. 120.The benefits of stabilization.245s.mp434.79MB
121. 121.Using the DJI Ronin.273s.mp438.62MB
122. 122.Using the DJI Osmo.299s.mp442.24MB
123. 123.Using the ikan FLY-X3.265s.mp437.66MB
124. 124.The importance of white balancing.121s.mp417.52MB
125. 125.Using presets.272s.mp432.89MB
126. 126.Setting the color temperature.301s.mp442.53MB
127. 127.Performing a custom white balance.171s.mp421.4MB
128. 128.Why use log mode.256s.mp436.35MB
129. 129.Recording log mode in camera.383s.mp447.54MB
130. 130.Recording log mode with a disk recorder.293s.mp441.45MB
131. 131.The challenge of one light.128s.mp418.58MB
132. 132.What other gear do you need.249s.mp435.33MB
133. 133.Recording log mode in camera.310s.mp443.75MB
134. 134.Log-encoded video.107s.mp415.57MB
135. 135.Where does log come from and why use it.244s.mp434.78MB
136. 136.Viewing log.306s.mp440.81MB
137. 137.Three-point lighting.88s.mp412.98MB
138. 138.The key light.236s.mp433.49MB
139. 139.The fill light.226s.mp432.14MB
140. 140.The back light.186s.mp426.5MB
141. 141.Additional options.121s.mp417.16MB
142. 142.Memory cards and readers.104s.mp415.35MB
143. 143.Card types and speeds.450s.mp460.13MB
144. 144.Memory card readers.248s.mp435.25MB
145. 145.What is a Boom Mic and When Should I Use It.238s.mp433.83MB
146. 146.Holding the Boom.170s.mp424.47MB
147. 147.Pointing the Microphone Correctly.142s.mp420.46MB
148. 148.What is the 'right' Shutter Speed.227s.mp431.41MB
149. 149.Shooting With a Slower Shutter Speed.236s.mp433.39MB
150. 150.Shooting with a Higher Shutter Speed.303s.mp442.77MB
151. 151.What is transcoding.171s.mp419.16MB
152. 152.When Should I Transcode.375s.mp449.14MB
153. 153.How Do I Transcode.705s.mp462.96MB
154. 154.Why Might I Skip Transcoding.155s.mp422.41MB
155. 155.Using Facebook Livestream.85s.mp412.51MB
156. 156.Essential gear for live streaming.206s.mp429.42MB
157. 157.Starting a broadcast on Facebook.466s.mp452.02MB
158. 158.How many frames do you need for slow motion.235s.mp432.64MB
159. 159.Shooting high frame rate with a pro camera.279s.mp438.53MB
160. 160.Advanced options for high frame rates.423s.mp458.94MB
161. 161.4K versus UHD.91s.mp413.33MB
162. 162.Resolution numbers.310s.mp440.29MB
163. 163.Standards and beyond.266s.mp437.66MB
164. 164.What is Periscope.115s.mp415.14MB
165. 165.What gear do you need.278s.mp439.5MB
166. 166.Starting a broadcast on Periscope.639s.mp467.18MB
167. 167.When to use a point-of-view shot.108s.mp433.58MB
168. 168.Choosing a capture resolution for POV shots.290s.mp441.06MB
169. 169.Mounting the point-of-view camera.408s.mp457.56MB
170. 170.Evaluating the footage.310s.mp443.81MB