Digital Tutors - Compositing 3D into Video in Maya and Nuke

1. project_files.zip155.95MB
2. 06 - Bringing in our HDR Environment and matching lighting.flv72.64MB
3. 05 - Creating ground plane geometry to catch shadows.flv48.36MB
4. 07 - Extending our ground plane and adding a curb.flv45.54MB
5. 17 - Matching our footage shadows using our shadow mattes.flv40.05MB
6. 23 - Fixing the sandbags by adding noise and heavy color correcting.flv39.12MB
7. 14 - Shuffling all our rendered images into channels.flv38.3MB
8. 13 - Making final changes to our Render Settings and rendering .flv36.47MB
9. 04 - Importing our object and integrating it into the scene.flv35.57MB
10. 02 - Setting our image plane to test our tracked point cloud.flv34.06MB
11. 03 - Locking our Camera and Locators to the grid.flv33.59MB
12. 08 - Setting up our basic color layer and passes.flv29.75MB
13. 09 - Creating a ground and object ambient occlusion layer.flv29.69MB
14. 11 - Creating a Color Matte layer to capture different pieces.flv28.12MB
15. 27 - Creating a Film look and rendering our final sequence.flv27.75MB
16. 10 - Building our two Shadow render layers for control.flv25.06MB
17. 18 - Applying ambient occlusion with color correction techniques.flv23.57MB
18. 24 - Adding Lightwrap to our object.flv23.52MB
19. 26 - Creating a motion vector mask for the background.flv22.55MB
20. 16 - Importing our footage and create a dual tree workflow.flv19.66MB
21. 25 - Using our motion vectors to add motion blur.flv19.33MB
22. 15 - Rendering an EXR sequence for faster compositing.flv17.52MB
23. 19 - Compositing our sign color passes.flv17.44MB
24. 22 - Color Correcting the rusty base.flv16.49MB
25. 20 - Using the Color Matte pass to tweak the sign.flv16.25MB
26. 21 - Hue Shifting the Legs into the correct color space.flv16.11MB
27. 12 - Creating a motion vector layer and outputting it correctly.flv15.89MB
28. 01 - Introduction and Project Overview.flv9.72MB