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[FreeCourseLab.com] Udemy - Music Theory Comprehensive Complete Part 4, 5, & 6

文件类型 收录时间 最后活跃 资源热度 文件大小 文件数量
视频 2020-6-18 15:22 2024-12-23 20:20 204 1.24 GB 113
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FreeCourseLab com Udemy - Music Theory Comprehensive Complete Part 4 5 & 6

文件列表
  1. 1. Welcome & Overview/1. Overview.mp425.8MB
  2. 1. Welcome & Overview/2. Tools we will use in this course.mp48.49MB
  3. 1. Welcome & Overview/5. Asking Questions.mp49.83MB
  4. 1. Welcome & Overview/6. Review Session Major and Minor Scales.mp412.47MB
  5. 1. Welcome & Overview/7. Review Session Diatonic Chord Progressions.mp411.97MB
  6. 10. Second Species Counterpoint/1. What's New In Second Species.mp47.31MB
  7. 10. Second Species Counterpoint/2. Metric Accents and Diminutions.mp48.53MB
  8. 10. Second Species Counterpoint/3. Resolutions.mp46.75MB
  9. 10. Second Species Counterpoint/4. Second Species Counterpoint Rules Summary.mp43.94MB
  10. 11. Melodic Embellishment in Second Species Counterpoint/1. Passing Tones.mp414.36MB
  11. 11. Melodic Embellishment in Second Species Counterpoint/2. Consonant Skips and Leaps.mp49.29MB
  12. 11. Melodic Embellishment in Second Species Counterpoint/3. Neighbor Tones.mp413.35MB
  13. 12. Writing Second Species Counterpoint/1. First and Last Measures.mp412.62MB
  14. 12. Writing Second Species Counterpoint/2. The Melody Notes.mp420.02MB
  15. 12. Writing Second Species Counterpoint/3. Harmony.mp417.39MB
  16. 12. Writing Second Species Counterpoint/4. Summary and Tips.mp410.6MB
  17. 13. Third Species Counterpoint/1. Four-to-One Counterpoint.mp420.29MB
  18. 13. Third Species Counterpoint/2. The Cambiata.mp45.62MB
  19. 13. Third Species Counterpoint/3. Double Neighbor Tones.mp48.87MB
  20. 14. Fourth Species Counterpoint/1. Rhythmic Displacement.mp417.85MB
  21. 14. Fourth Species Counterpoint/2. Suspensions.mp47.35MB
  22. 14. Fourth Species Counterpoint/3. Going Downhill.mp45.4MB
  23. 14. Fourth Species Counterpoint/4. 4-3 Suspensions.mp47.75MB
  24. 14. Fourth Species Counterpoint/5. 7-6 Suspensions.mp46.65MB
  25. 14. Fourth Species Counterpoint/6. 9-8 Suspensions.mp48.87MB
  26. 14. Fourth Species Counterpoint/7. Consonant Suspensions.mp411.59MB
  27. 14. Fourth Species Counterpoint/8. Chains of Suspensions.mp49.68MB
  28. 14. Fourth Species Counterpoint/9. Summary of 4th Species Rules.mp46.53MB
  29. 15. Fifth Species Counterpoint/1. Free Counterpoint.mp411.64MB
  30. 15. Fifth Species Counterpoint/2. Writing Free Counterpoint.mp424.12MB
  31. 15. Fifth Species Counterpoint/3. A Brief History of Fux.mp43.56MB
  32. 16. Part 5 Wrap Up/1. What Comes Next.mp45.01MB
  33. 16. Part 5 Wrap Up/2. Thats it for Part 5!.mp43.47MB
  34. 17. Welcome to Part 6!/1. Introduction to Part 6.mp425.95MB
  35. 17. Welcome to Part 6!/2. Welcome to the Second Semester of College Music Theory.mp47.52MB
  36. 17. Welcome to Part 6!/3. Tools We Will Use in this Class.mp46.16MB
  37. 17. Welcome to Part 6!/5. Review First, Second, Third, & Fourth Species Counterpoint.mp47.16MB
  38. 18. Composing in an 18th Century Style/1. Overview of 18th Century Counterpoint.mp49.38MB
  39. 18. Composing in an 18th Century Style/2. Types of Motion.mp415.93MB
  40. 18. Composing in an 18th Century Style/3. Chordal Dissonance.mp411.37MB
  41. 18. Composing in an 18th Century Style/4. Cadences.mp46.87MB
  42. 18. Composing in an 18th Century Style/5. Cadences in BassMelody Counterpoint.mp47.01MB
  43. 18. Composing in an 18th Century Style/6. Starting Intervals.mp413.42MB
  44. 18. Composing in an 18th Century Style/7. Summary of 18th Century Counterpoint Rules.mp48.63MB
  45. 19. Melodic Embellishment (in Chorale Textures)/1. Non-Chord Tones.mp414.87MB
  46. 19. Melodic Embellishment (in Chorale Textures)/2. Suspensions.mp47.57MB
  47. 19. Melodic Embellishment (in Chorale Textures)/3. Example Analysis.mp413.06MB
  48. 19. Melodic Embellishment (in Chorale Textures)/4. Summary of Melodic Embellishment Rules.mp46.82MB
  49. 2. Modes (The Musical Modes, AKA The Church Modes)/1. Overview of Modes New Harmonic Territory.mp45.34MB
  50. 2. Modes (The Musical Modes, AKA The Church Modes)/10. The Locrian Mode.mp410.56MB
  51. 2. Modes (The Musical Modes, AKA The Church Modes)/2. How Modes Work.mp414.76MB
  52. 2. Modes (The Musical Modes, AKA The Church Modes)/3. The History of Modes.mp424.43MB
  53. 2. Modes (The Musical Modes, AKA The Church Modes)/4. The Ionian Mode.mp44.55MB
  54. 2. Modes (The Musical Modes, AKA The Church Modes)/5. The Dorian Mode.mp412.48MB
  55. 2. Modes (The Musical Modes, AKA The Church Modes)/6. The Phrygian Mode.mp47.55MB
  56. 2. Modes (The Musical Modes, AKA The Church Modes)/7. The Lydian Mode.mp44.95MB
  57. 2. Modes (The Musical Modes, AKA The Church Modes)/8. The Mixolydian Mode.mp48.22MB
  58. 2. Modes (The Musical Modes, AKA The Church Modes)/9. The Aeolian Mode.mp44.16MB
  59. 20. SATB Composition/1. Writing SATB Lines.mp44.24MB
  60. 20. SATB Composition/2. SATB Notation.mp410.06MB
  61. 20. SATB Composition/3. SATB Ranges.mp46.37MB
  62. 20. SATB Composition/4. Voice Crossings.mp46.66MB
  63. 20. SATB Composition/5. Doubling.mp412.61MB
  64. 20. SATB Composition/6. My Country Tis of Thee (Example).mp412.19MB
  65. 21. Phrasing in SATB Composition/1. T-D-T (Tonic, Dominant, Tonic).mp47.7MB
  66. 21. Phrasing in SATB Composition/2. Establishing the Tonic Area.mp45.7MB
  67. 21. Phrasing in SATB Composition/3. Establishing the Dominant Area.mp46.99MB
  68. 22. More with Cadences/1. The Perfect Authentic Cadence in 4 Voices.mp49.37MB
  69. 22. More with Cadences/2. The Imperfect Authentic Cadence in 4 Voices.mp46.86MB
  70. 22. More with Cadences/3. Half Cadences in 4 Voices.mp47.6MB
  71. 22. More with Cadences/4. Plagal Cadences in 4 Voices.mp46.13MB
  72. 22. More with Cadences/5. Deceptive Cadences in 4 Voices.mp45.06MB
  73. 23. Voice-Leading on the Dominant/1. Resolving Leading Tones.mp413.19MB
  74. 23. Voice-Leading on the Dominant/2. Other Voice Leading Requirements.mp419.08MB
  75. 24. Harmonizing Melodies/1. Harmonic Rhythm.mp413.67MB
  76. 24. Harmonizing Melodies/2. Texture.mp46.2MB
  77. 24. Harmonizing Melodies/3. Danny Boy (Example).mp427.54MB
  78. 25. Wrap Up/1. What Comes Next.mp43.81MB
  79. 25. Wrap Up/2. Thanks & Bye!.mp45.92MB
  80. 3. Using Modes/1. From Old to New Again Modern Uses of Modes.mp45.06MB
  81. 3. Using Modes/2. Analysis The Simpsons (TV Theme Song).mp438.56MB
  82. 3. Using Modes/4. Analysis Missa Pange Lingua (Choir).mp440.53MB
  83. 3. Using Modes/6. Analysis Eleanor Rigby (The Beatles).mp48.82MB
  84. 4. Deeper Into Intervals/1. Melodic Vs. Harmonic Intervals.mp45.85MB
  85. 4. Deeper Into Intervals/2. Using Visual Landmarks to Quickly Identify Intervals.mp49.83MB
  86. 4. Deeper Into Intervals/3. Compound and Simple Intervals.mp413.37MB
  87. 4. Deeper Into Intervals/4. MajorMinorPerfect Intervals.mp46.95MB
  88. 4. Deeper Into Intervals/5. Rules for Inversions of Intervals.mp49MB
  89. 4. Deeper Into Intervals/6. Summary of Intervals So Far.mp43.5MB
  90. 4. Deeper Into Intervals/7. Augmented and Diminished Intervals.mp412.75MB
  91. 4. Deeper Into Intervals/8. The Tritone.mp49.54MB
  92. 4. Deeper Into Intervals/9. Enharmonic Equivalence.mp45.69MB
  93. 5. Consonance and Dissonance/1. Consonance and Dissonance in Intervals.mp416.51MB
  94. 5. Consonance and Dissonance/2. Resolution.mp418.58MB
  95. 5. Consonance and Dissonance/3. Interval Classes.mp45.16MB
  96. 5. Consonance and Dissonance/4. Analyzing Intervals.mp427.98MB
  97. 6. Introduction to Counterpoint/1. What is Counterpoint.mp413.71MB
  98. 6. Introduction to Counterpoint/2. The Different Species of Counterpoint.mp49.66MB
  99. 6. Introduction to Counterpoint/3. Connecting Melodic Intervals.mp48.04MB
  100. 6. Introduction to Counterpoint/4. First Species Counterpoint - Melodic Rules.mp410.96MB
  101. 6. Introduction to Counterpoint/5. Connecting Harmonic Intervals.mp414.74MB
  102. 6. Introduction to Counterpoint/6. The 4 Types of Contrapuntal Motion.mp417.35MB
  103. 6. Introduction to Counterpoint/8. Parallel Fifths and Octaves.mp411.85MB
  104. 7. Writing Note-To-Note Counterpoint in Strict Style/1. The Beginning and The End.mp49.68MB
  105. 7. Writing Note-To-Note Counterpoint in Strict Style/2. The Middle.mp419.17MB
  106. 7. Writing Note-To-Note Counterpoint in Strict Style/3. The Riemenschneider.mp411.28MB
  107. 7. Writing Note-To-Note Counterpoint in Strict Style/4. The Rules All Wrapped Up.mp415.89MB
  108. 8. Part 4 Wrap Up/1. What Next.mp43.26MB
  109. 8. Part 4 Wrap Up/2. Thats it for Part 4!.mp41.68MB
  110. 9. Welcome to Part 5!/1. Introduction to Part 5.mp438.97MB
  111. 9. Welcome to Part 5!/2. Tools We Will Use.mp46.54MB
  112. 9. Welcome to Part 5!/4. Review Modes.mp47.2MB
  113. 9. Welcome to Part 5!/5. Review First Species Counterpoint.mp418.09MB
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